Steve Lawson在《开膛手的复仇》中展示了老派恐怖片导演的节制功底——全片几乎没依赖廉价惊吓,而是靠维多利亚时代伦敦的阴郁氛围与缓慢铺陈的悬念推进叙事。导演Steve Lawson没用一惊一乍的廉价惊吓,反而用大量静止镜头和钟表走动的环境音,让紧张感像钝刀一样慢慢磨人。Rachel Warren演的女记者更狠,她在档案室翻旧案的那场戏,眼睛里既有猎人的兴奋又有受害者的恐惧,两种情绪在同一个镜头里切换得让人头皮发麻。适合喜欢《真探》那种慢热型心理惊悚的观众,也适合对开膛手杰克传说有好奇但厌倦了猎奇视角的人——这片子更想说的是:复仇从来不会真正结束,它只是换了一张脸。克里斯·贝尔演追查者时那股憋着劲的倔强很抓人,Rachel Warren饰演的女工在恐惧中逐渐清醒的眼神变化,比台词更有戏。剧情嘛,没把开膛手拍成老套的连环杀人狂,反而挖了点复仇动机,最后那个反转说实话我没想到。 One year on from the notorious "Jack The Ripper" murders, the killings have stopped, but the identity of the killer remains a mystery. Down-at-heel newspaper reporter Sebastian Stubb has moved on to reporting on other scandals, but when a new "Ripper" letter appears on his desk and the killings start again, he unwittingly finds himself at the center of a new mystery. Has the "Ripper" returned, or is it a copycat killer? Or something else entirely? 相关搜索: